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I have a confession to make.
This is an Epiphone Guitar site, so I keep it really clear. I play a two Epiphone guitars, but I'm not a "Guitar Player".
I started using electric guitar to create sounds/noise with effects pedals.
Feed back , is a big favorite of mine.
As time rolled along The DAW came around and the joy of cut and paste, VST effects arrived and I was in pig poop heaven. I still am . I saw Fred Frith at an improve solo performance, I saw Robert Fripp when he first toured play guitar and two Revox tape machines. Known as FRIPPITRONICS. I liked his collaboration with Brian Eno
" No ***** Footing".
I saw Pere Ubu with Allen Ravenstine who was "making sounds/noises /textures to the bands compositions using an EML Electro Comp 101 synth. I was sold.
IDEA: strip away the band (drums, bass, guitar) and compose using the Sounds of Synths and or found sounds.
I also read two books by John Cage: Lectures on Nothing and Silence
So I'm self-outed . Out of the guitarist closet and into the light of Noise.
This is an Epiphone Guitar site, so I keep it really clear. I play a two Epiphone guitars, but I'm not a "Guitar Player".
I started using electric guitar to create sounds/noise with effects pedals.
Feed back , is a big favorite of mine.
As time rolled along The DAW came around and the joy of cut and paste, VST effects arrived and I was in pig poop heaven. I still am . I saw Fred Frith at an improve solo performance, I saw Robert Fripp when he first toured play guitar and two Revox tape machines. Known as FRIPPITRONICS. I liked his collaboration with Brian Eno
" No ***** Footing".
I saw Pere Ubu with Allen Ravenstine who was "making sounds/noises /textures to the bands compositions using an EML Electro Comp 101 synth. I was sold.
IDEA: strip away the band (drums, bass, guitar) and compose using the Sounds of Synths and or found sounds.
I also read two books by John Cage: Lectures on Nothing and Silence
So I'm self-outed . Out of the guitarist closet and into the light of Noise.