That's really funnyThey put it there so the guitar can be carbon dated
But not necessary, since the wood of the guitar is made from mainly carbon and hydrogen
That's really funnyThey put it there so the guitar can be carbon dated
My thought too. The two new Epis with rosewood or rosewood-like material fretboard I've ever bought new, quickly became considerably lighter in color than they were at arrival. The fretboard on the Flying V I got left now, shows more grain pattern and look more natural after several cleanings and some oil. When new, it looked almost ebony black.Dye used on fretboards to darken or even out the color. Even high end guitar makers do this, but they clean them better before shipping. Rub down with a rag, oil your fretboard, repeat until the rags come clean.
Staining a fingerboard to make it look dark is one of the most ridiculous things ever. I’m almost offended.
Alternative guitar woods are the way of the future, and guitar companies are pandering to the notion that wood has to look like “ebony” or “rosewood.”
I’ll bet the relaxing of CITES for musical instruments has contribute to this nonsense, and wood is being marketed as different species than it actually is.
Pathetic really. Guitar players ought to be cool mofos, down with environmentalism, using richlite and other alternatives!
Nearly smdh, but not really surprised at all...
Staining a fingerboard to make it look dark is one of the most ridiculous things ever. I’m almost offended.
Alternative guitar woods are the way of the future, and guitar companies are pandering to the notion that wood has to look like “ebony” or “rosewood.”
I’ll bet the relaxing of CITES for musical instruments has contribute to this nonsense, and wood is being marketed as different species than it actually is.
Pathetic really. Guitar players ought to be cool mofos, down with environmentalism, using richlite and other alternatives!
Nearly smdh, but not really surprised at all...
Perhaps you'd like to speak to the manager?Staining a fingerboard to make it look dark is one of the most ridiculous things ever. I’m almost offended.
Fixed that for ya.It's tradition. It’s the alterwemost guitar enthusiasts worship at.
Perhaps you'd like to speak to the manager?
Vote with your wallet. If you don't like something - don't buy it.
Fixed that for ya.
I feel more constrained by tradition than anything else. The St. Vincent signature model has been one of the most interesting models to come down the pike in quite some time.
Perhaps you'd like to speak to the manager?
Vote with your wallet. If you don't like something - don't buy it.
Fixed that for ya.
I feel more constrained by tradition than anything else. The St. Vincent signature model has been one of the most interesting models to come down the pike in quite some time.
Guitar players ought to be cool mofos, down with environmentalism, using richlite and other alternatives!
in all seriousness, guitar players are a VERY conservative lot when it comes to gear.
Oh my goodness! We are complicated people.
I'm OK with Sapele and Richlite on my Martin. I'm not really sure what my Squiers are made of (swamp ash? sawdust?), but I'm OK with them.
Didn't you tell me before you played with latex gloves ?I didn't have this issue with my last Epiphone or my Gretsch, Gbsons or Squier Classic Vibe.
Staining a fingerboard to make it look dark is one of the most ridiculous things ever.
None of my axes are anything exotic, my older ones are some sort of Asian "mahogany" (I'm in a motel tapping this out quickly), and a butcher block Strat, both with rosewood boards. I love both of them. My latest is basswood with a maple neck and a "Brazilian Cherry" board (read Jatoba) and it's my favorite of the bunch. The Jag I have on preorder is Poplar, with a roasted maple neck (stoked about that) and an Indian Laurel board. I'm almost 100% sure once I do a couple housekeeping mods I'm gonna love that one too.I'm OK with Sapele and Richlite on my Martin. I'm not really sure what my Squiers are made of (swamp ash? sawdust?), but I'm OK with them.
I believe there is enough room for those who prefer traditional woods, and those who are okay with alternatives. I used to be a wood snob, but not anymore. My last 3 guitars have all been Epiphones, and they all have the Laurel fretboards. Still like Rosewood and Ebony better, but it’s not worth the premium to me these days. Besides, I’ve never found any truth to the notion that fretboard material has an effect on tone. As long as it looks decent, I’m good.Staining a fingerboard to make it look dark is one of the most ridiculous things ever. I’m almost offended.
Alternative guitar woods are the way of the future, and guitar companies are pandering to the notion that wood has to look like “ebony” or “rosewood.”
I’ll bet the relaxing of CITES for musical instruments has contribute to this nonsense, and wood is being marketed as different species than it actually is.
Pathetic really. Guitar players ought to be cool mofos, down with environmentalism, using richlite and other alternatives!
Nearly smdh, but not really surprised at all...
I used to be a wood snob, but not anymore.
Pathetic really. Guitar players ought to be cool mofos, down with environmentalism, using richlite and other alternatives!
I love tree's they shelter us and make oxygen to keep us alive. That said if Epiphone used alternative fingerboard materials I could get behind that as long as they used aircraft grade aluminum necks / fingerboards and kept the prices the same. (Since I'm dreaming might as well dream big) I'm also down with Walnut , Cocobolo. Black Limba, Zebrawood and I'm ok with flame maple as well.I'll have you know I am a cool mofo and a big time "tree hugger" to boot. All of my wooden guitars get tons of love and respect for their sacrifice in helping to make my instruments.